The most pretentious and fetishistic film loner.

I've sat and witnessed a projection.
In this, I have thought and felt dissection (these negatives the world has been dealt!)
and an infection (the negatives I have processed and felt).
retrogasm:

24…17…set…hut hut hut… HIKE!

retrogasm:

24…17…set…hut hut hut… HIKE!

Pretty damn excited.

popculturebrain:

New Images: Django Unchained | Collider

(Source: anormaux, via sexploitme)

To take part in the 21st Century tradition of compiling a best-of-the-year-so-far list, I would choose these five:

1. The Walkmen - Heaven

Men of subtlety I have biased feelings towards release the catchiest thing in their cannon.

2. The Men - Open Your Heart

All over the place in a good way; Capricious, I like that trait. 

3. Perfume Genius - Put Your Back N 2 It

The emotional-baggage album.

4. Beach House - Bloom

They’re consistently ethereal and dream-like. You’ll be “huh huh huhing” to sleep for weeks. 

5. Cloud Nothings - Attack On Memory

Confused punks are angry and taking it out on their memory. If you’ve ever been confused, then something. 

This is not a review of any sort. It is simple, uncertain puppy love. 


Palme d’Or – Amour, directed by Michael Haneke
Grand Prix – Reality, directed by Matteo Garrone
Best Director – Carlos Reygadas, Post Tenebras Lux
Best Screenplay – Cristian Mingiu, Beyond the Hills
Best Actress – Cristina Flutur & Cosmina Stratan, Beyond the Hills
Best Actor – Mads Mikkelsen, The Hunt
Jury Prize – The Angels’ Share, directed by Ken Loach

Palme d’Or – Amour, directed by Michael Haneke

Grand Prix – Reality, directed by Matteo Garrone

Best Director – Carlos Reygadas, Post Tenebras Lux

Best Screenplay – Cristian Mingiu, Beyond the Hills

Best Actress – Cristina Flutur & Cosmina Stratan, Beyond the Hills

Best Actor – Mads Mikkelsen, The Hunt

Jury Prize – The Angels’ Share, directed by Ken Loach

(via oldfilmsflicker)

Cannes supreme bout—being in contention for the award known as the Palme d’Or—has been won by grizzled provacateur Michael Hanke. The film is called ‘Amour’ and tells the story of an older couple who’s love is tested when one is inflicted with a brain tumor. But this being a picture by Haneke, be sure and willing to see all the desperation and none of the sentimentality. 

Cannes supreme bout—being in contention for the award known as the Palme d’Or—has been won by grizzled provacateur Michael Hanke. The film is called ‘Amour’ and tells the story of an older couple who’s love is tested when one is inflicted with a brain tumor. But this being a picture by Haneke, be sure and willing to see all the desperation and none of the sentimentality. 

oldfilmsflicker:

The only true currency in this bankrupt world is what we share with someone else when we’re uncool.

oldfilmsflicker:

The only true currency in this bankrupt world is what we share with someone else when we’re uncool.

“How do you trust your feelings when
they can just disappear like that?”

Blue Valentine (2010)

(via oldfilmsflicker)

“Sleep well in your beds. ‘Cause if this thing comes true, there ain’t gonna be any more.” Take Shelter (2011)

(via oldfilmsflicker)

This video is  hopped up on cool appeal. 

We’re all moving somewhere, but as the trees and the plates of earth they sit upon display to us, we don’t care or appreciate until we’re supported or important to life.

Spiritual mumbo jumbo, but still: I feel, sometimes, the universe communicates ideas through us. 

Has been on repeat for a while now (Walkmen releases usually take a few spins to sink in).

(Source: Spotify)